Music: Dreamcatcher by Alexandre Desplat
From: The Twilight Saga: New Moon (The Score) don’t judge.
Composer: Alexandre Desplat

Warnings: language warning, lack of editing warning

Universe: possibly a new idea for the Rom!verse

I imagine it, playing out like a movie in those moments I finally think I can move on.

You’ve always been the dashing hero in need of humility. Me, the sin-eater who has spent far too long as the side kick and martyr in her own life story. It’s not hard to imagine us in one of those ridiculous movies we’ve always loved to mock (and maybe, if I’m honest, we mock them so harshly because we see ourselves too clearly in the idiots on the screen). You, Tarzan. Me, Jane.

We’ve fought, because of course we have. Even in my imagination, reality comes slinking in like a particularly unwelcomed cat, jaws bloodied, rat corpse dangling from overly proud jaws. And just like every other hero in every other story, you’ve stormed away the second you realise I’m me, not the manic pixie dream girl you’ve built me up as in your mind. Just like life. Pound your chest and storm away, Tarzan. Jane will wait here and emotionally eviscerate herself for never being enough. Jane will learn to hate herself for being unable to fill the shoes of a ghost that never even existed.

Jane will take your sins as her own. Drink them down like gospel truth and arsenic.

And like every one of those witless damsels I’ve mocked, I’ve pined for you in the way of the great lovelorn heroine. I’ve sighed, and I’ve begged the universe for something to change, and gradually accepted when the only change could come from me. I’ve cried, and I’ve hoped that secret fundamental hope that you’ll snap the fuck out of your mood and realise that I’m not actually the enemy. That maybe, given time, you’ll be the man I know exists beneath the bullshit and the drama and the compelling need to stamp your will upon the world in hopes it’ll stop stomping its whims upon your heart.

After the tears have finally dried; when there’s no more wine to soothe the ache, no more ways to avoid inevitability, finally, I drag myself from my bed, stare myself down in the mirror (and wonder at the waif like damsel staring me down in return). It’s time to move on. I know this, the audience knows this, god himself (or perhaps merely the script writer) knows this. And today is that day. Today is the day I banish that damsel back to whatever hell she sprang from.

Today is the day I release the sins that aren’t my own.

I straighten my spine, and bathe in the holy waters. I scrub away the memories of you until my skin is red raw and there’s no trace of you left on my body. I scrub away the layers of skin infected by you, until there’s nothing left of you on me. I choose clothes with care, rather than throwing on whatever is soft and warm and easy to hide under blankets in. I let the ruby lips and the darkened eyes be my war paint, the mask I wear to hide the cracks remaining in my armour.

I’m looking like I’ve finally gotten myself together. I feel good, I look good. I even remember how to smile and how to laugh. My heart doesn’t ache to hear your name, like my body is an open wound that’s finally healed enough to tolerate. I don’t feel so raw, don’t feel so broken. The bitter aftertaste of self loathing is starting to fade.

But then, the dream comes in, because there you are. Beautiful as ever, because no matter how many stab wounds my heart is struggling to heal, it’s never quite lost the ability to see the worth and the beauty in you. Maybe you lean in the doorway a moment, or maybe you’re just a blur of motion until you’re in front of me. And maybe you cry and maybe you don’t, but it’s you again. Not the creature you are when it’s all going to shit, but the man it’s impossible not to be hopelessly in love with. The one who cares. The one who isn’t made of sighs and growls and frustrations.

The truth of it, the guilty truth I’ll spend a lifetime denying if pressed, is that if I’m going to be that lovelorn girl in the movie- and it’s increasingly clear that I fall into line behind the tropes I hate most- I want that big romantic gesture. I want the happily ever after. I want that moment, the one where you ride in and apologise, the one where you learn that you don’t need to shoot at everything that moves in order to keep your heart safe, and I learn that I don’t have to try and guess which side of the room survival is hiding in and throw myself towards it. I want that moment when for once I’m not wondering if you even like me at all.

Your arms are warm wrapped around me, your lips against mine feel fated.

And somehow, that hurts worse. Dreams and sins are best let go of, and yet, for a sin-eater, I’m terrible at that. You’ve been absolved of your sins. But they’re still drowning me. I don’t know how to let go of the idea of never enough. And it’s killing me. It kills me to take on burdens not by choice, but by force.

And my darling, I don’t want to die.


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